There are five lenses that I believe every home photographer should have on his or her set. It doesn’t matter if you shoot a Canon or a Nikon, or you shoot a plant or a complete frame. These five must have the ability to capture emotions and actions in low light. If you are still using a variable speed, packet lens then I urge you to consider purchasing at least one high-speed lens. Both Canon and Nikon offer the same range of fast glass.
In this article, I want to focus on five different lenses: three front lenses and two zoom lenses.
the purpose of this article is not to argue with the importance of stable zoom lens verses, nor is it to examine the pros and cons of each one. It is intended to monitor the professional selection and use of a state-of-the-art lens. Event photography, especially wedding photography, includes a combination of technical and creative opportunities. It does not matter if you shoot culture or journalism you will use techniques and techniques from both schools of thought.
For any indoor work, the first thing to be taken by the photographer is the speed lens. Even when it comes to high-quality ISO camera sensors the expert should know that they have received the recording. You don’t want to worry about motion blur or camera vibration while beautiful images are passing.


Primes


Larger lenses provide greater color accuracy and greater depth of field control. Not only that, but they have one chance to take close-up photos. They offer similarity in style. In exchange for this, they sacrifice the flexibility of the shape provided by the zoom lens. You will want to use the same key lens in all your traditional photoshoots. That way there will be some continuity of style, tone, and feel going through them. Simply put, by limiting yourself to a certain length of focus you will give your photos a sense of belonging.
Both Canon and Nikon offer the best-advanced lenses in both the mid and mid-tech categories. Don’t let this confuse you if you have a budget. Both of these categories offer excellent lighting and technical features. Canon offers their primes in standard and in their professional L-series list, while Nikon offers their primes in standard D-series and G-series professional lists. The range of standard lines costs between $ 300 and $ 500, with L-series and G-series lenses operating between $ 1200 and $ 2000.


Wide


At the wind end of the spectrum 24mm f / 2.8 is available in the middle range while the professional version of the lens offers a high f / 1.4 aperture. These lenses are suitable for traditional group shoots and official indoor shoots. Using a wide-angle lens like this to make a shot during a big event or a wedding party will produce images that give the viewer a sense of being immersed around the image. This style is well suited to the work of writing and photography.


Standard/Normal


The “nifty 50” or 50mm prime lens has traditionally found itself the work of many professional photographers. It is offered as a 50mm f / 1.4 and is suitable for art and documentary work. This lens gives off a beautiful color complement and a rich rich blur, or bokeh, without the slightest depth of its field. The technology series offers a high f / 1.2 aperture. Use this lens to get a close-up photo, and photo inside details. In low light conditions this lens is a great way to stop the action, but be aware that a small depth of field can cause problems to focus on rapidly changing subjects as they move beyond their small distance.


Tele-Photo


For most photographers, the 85mm f / 1.8 lens is a suitable lens. Provides maximum depth of field while minimizing the guessing effect of short primes. The lens is also provided with a professional type with a high f / 1.2 aperture. The focus length of 85mm is limited to the use of standard purpose but they do this with good traditional photography. This is a lens you will use most of the time when you pull out the light gear and position your clients with their official shorts. The wide openness also gives you the ability to use the lighting available with soft natural paintings.

Zoom


Zooms offer one thing primes you can’t. They give you the ability to name your image standing in the same place. By capturing events is a great combination. You will not always be close enough to the action of the gun you want. Zoom lenses also give you a great advantage if you are trying to take blurry images. They let you skip close to the story without seeing you. This makes the images look natural and removes the viewing effect from your theme.
Zoom lenses provided by Canon and Nikon are very large. There are only two lenses you need to focus on. Wide-angle and telephoto zoom. 24-70mm f / 2.8 and 70-200mm f / 2.8 are both industry standards for this type of shooting. Both are professional class lenses although there are low-cost contact lenses that offer visual and technical comparison features.


Wide


The wide zoom provides 24-70mm width and a maximum aperture of f / 2.8. This lens is ideal for homework close to photography details. Break this down when you get closer to your lessons like a dressing room or a small bar area. This also makes the lens movement more comfortable allowing you to get a little closer to the candid’s but wide enough to get a small shotgun, table, and room pictures.